Some good examples of dissonance in film music are the shower scene in Psycho and the theme for Jaws. Composers like Wagner and Rachmaninoff provided a basic vocabulary for film music that would would persist in Hollywood until the end of the late s. Film music pioneers like Franz Waxman, Enrich Korngold and Max Steiner all came from the concert music world and leveraged these associations to form the foundation for film music that composers would continue to follow—and develop—for decades.
But how music functions on our psychology to achieve a specific dramatic effect by playing runs lot deeper than that…. It communicates that which is unspoken. The score development reflects that of the main character. As Curran goes further and further off the rails, so does the theme become contorted and progressively skewed until a final discordant climax is reached. Despite a complete lack of dialogue in the film, the music along with skillful editing help tell a dramatic and cohesive story of the dangers of industrialized life and its impact on the earth and society as a whole.
Suicide Squad on the other hand? The mark of a great soundtrack is something that becomes instantly memorable, recognisable and, at times, even bigger than the film itself. Take for example Armageddon and Titanic ; both big box office earners, both famous 90s movies, both had a big impact on pop culture.
The former set the melodramatic and larger than life tone and aura of the movie, the latter enhanced the love story and romance of the ill-fated lovers.
Bender in The Breakfast Club: perhaps the most iconic soundtrack moment in film? Image courtesy of Universal Pictures. Whilst the soundtrack may not quite be as prevalent as it once was, let us not forget the greatness of those from the 80s and 90s. More like this: - What makes a cult classic? Great film music somehow retains its magic, even when its familiar melodies are laid bare.
There is a universal relatability to a brilliant film score, even in fragments. Morricone is credited for re defining the sound of the Western although his music obviously went much further than that ; meanwhile, US composer John Williams summons otherworldly adventures, across the Star Wars and Superman sagas, ET and more.
I wanted the real world to be like film… and music is the thing that will allow you to do that. One of the things that informs that is the intellectually rigorous crowd that he hung out with, Il Gruppo: this group of Italian composers making avant-garde improvised jazz, using odd textures.
Probably something different than our last example. Though the change of soundtrack for our scene was subtle, the interpretation of the scene changed dramatically. But what about removing music all-together?
Now that we know that changing a soundtrack can change the scene, will removing it do the same? In short, the answer is yes. While there are plenty of wonderful silent films out there, most films need a score.
In particular, pay attention to how awkward and strange the last 30 seconds are compared to the version with the score. Music plays into emotions more than you may realise and when it comes to filmmaking it is one of those essential things that can really make or break a production. The next time you are looking for production music, take your time and think about how your viewer may interpret your scene based on the supporting music.
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